{"id":10134,"date":"2020-01-31T16:51:14","date_gmt":"2020-01-31T20:51:14","guid":{"rendered":"http:\/\/news.capcana.com\/?p=10134"},"modified":"2026-05-28T10:54:13","modified_gmt":"2026-05-28T14:54:13","slug":"the-dos-donts-of-designing-a-golf-hole-by-jack-nicklaus","status":"publish","type":"post","link":"https:\/\/capcana.com\/es\/the-dos-donts-of-designing-a-golf-hole-by-jack-nicklaus\/","title":{"rendered":"THE DO\u2019S & DONT\u2019S OF DESIGNING A GOLF HOLE BY JACK NICKLAUS"},"content":{"rendered":"

Source: Golf<\/a><\/p>\n

So, you want to be a golf-course architect. Or, at least, you plan to enter the\u00a0GOLF Magazine + Nicklaus Design Challenge.<\/p>\n

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Allow us to offer some advice from an expert in the field.<\/p>\n

As a senior designer at\u00a0Nicklaus Design<\/a>, Chad Goetz will tell you that everything he and his colleagues do is dictated by the site they\u2019re given.<\/p>\n

\u201cIt all begins and ends with the piece of land,\u201d Goetz says. \u201cThat, along with what the client wants to accomplish.\u201d<\/p>\n

Once that\u2019s been determined, it\u2019s on to developing the course routing and rhythm, crafting holes that make the most of the terrain while providing varied looks and shot-making demands.<\/p>\n<\/div>\n<\/div>\n

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\u201cYou\u2019ve got to go with what the land gives you but you\u2019re also trying not to have six long par-4s in a row,\u201d Goetz says. \u201cYou want to mix it up with various angles and lengths and wind directions to create a compelling challenge.\u201d<\/p>\n

In short, designing an entire course is a very different job than dreaming up a single hole from scratch. Yet many of the same principles apply.<\/p>\n

With the\u00a0GOLF Magazine + Nicklaus Design Challenge\u00a0underway,\u00a0GOLF.com<\/span>\u00a0asked Goetz to flesh out the fundamentals those in his business lean on when creating a hole.<\/p>\n

Think of them as your architecture guidelines: 8 do\u2019s and don\u2019ts of golf design.<\/p>\n

 <\/p>\n<\/div>\n

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1. Start with the green<\/strong><\/p>\n

The Golden Age architect\u00a0A.W. Tillinghast\u00a0likened greens to human faces, the defining feature on the body of a hole. What does that suggest? When you\u2019re sketching your design, the putting surface is a good place to start. Envision the shots you want players to confront on their approaches \u2014 long, low runners? high-lofted irons? \u2014 and design the green accordingly, its shape, size and contouring suited to the shots you expect it to see. \u201cIt\u2019s tempting to have fun by throwing in a lot of wild contours or severe bunkering,\u201d Goetz says. \u201cBut remember that what you\u2019re doing needs to make sense in the larger context. It\u2019s going to dictate what you do with the rest of the hole.\u201d<\/p>\n

2. Keep it entertaining<\/strong><\/p>\n

\u201cGolf is a game,\u201d Goetz says. \u201cIt should be fun.\u201d Of course, like many elements of golf design, what qualifies as \u201cfun\u201d is subjective. But as a general rule, punishment does not equal pleasure. \u201cEvery course has to have a hardest hole,\u201d Goetz says. \u201cThey have their place, but I don\u2019t necessarily think of them as being fun to play. So, if I\u2019m designing a single hole, over-the-top difficult is probably not the way I\u2019d go.\u201d<\/p>\n

More alluring than a long, bunker-laden brute is, Goetz believes, a beguiling hole that presents a golfer with strategic choices. Do you play safe off the tee, knowing that you\u2019ll face a testier approach shot? Or rear back with your driver in hopes of setting up a simple pitch? That\u2019s the basic thinking, though the potential variations on the theme are boundless. \u201cRisk and reward is a phrase you hear a lot because it\u2019s at the heart of a lot of what we do,\u201d Goetz says. \u201cWe\u2019re trying to create a puzzle for the golfer to solve that fits into the larger puzzle of the course.\u201d Now, that\u2019s fun.<\/p>\n

3. Don\u2019t go full Golden Tee<\/strong><\/p>\n

A minefield of bunkers might look cool when you\u2019re doodling on a cocktail napkin. Ditto an island tee playing to an island fairway and an island green. Just remember: You want your doodle to play cool, too. \u201cI\u2019ve played a few holes and thought, \u2018Wow, that must have looked really great on paper,\u2019\u201d Goetz says. Bottom line: If what you\u2019ve sketched bears closer resemblance to a video game than a golf hole, you\u2019d be wise to scratch it and start again.<\/p>\n

4. Consider contours<\/strong><\/p>\n

Sand and water are all well and good. But there are other ways to defend a golf hole. \u201cIt\u2019s easy to throw 15 or 20 bunkers or a lake out there,\u201d Goetz says. \u201cBut some of the more interesting strategic concepts are created with topography.\u201d Think, for instance, of the\u00a0greens at Augusta, which are built to defy certain angles from the fairway and leave you all but dead if you\u2019re above the hole. Or some fairways at the Olympic Club, which dogleg one way and tilt the other, asking you to hit a draw or fade with the ball above or below your feet. \u201cIt\u2019s remarkable how even a subtle slope or contour can affect a shot,\u201d Goetz says. \u201cA lot of golfers might not think of them, but those factors have a huge influence on how a hole plays.\u201d<\/p>\n

5. Allow for recoveries<\/strong><\/p>\n

Phil Mickelson\u00a0smoking a 6-iron from the pine straw\u00a0at Augusta. Tom Watson chipping in from the rough at Pebble Beach. Think of some of golf\u2019s most memorable moments; many have been recovery shots. A well-designed hole should allow for them. \u201cWith every hole, we\u2019re trying to define how it should be played, but we\u2019re also trying to determine what the penalty is if you don\u2019t play the correct shot. How is that going to set up?\u201d Recovery shots call for skill and imagination, which translate into excitement. As satisfying as it is to bomb one down the middle, \u201ca hole where that\u2019s the only option is pretty dull,\u201d Goetz says.<\/p>\n

6. Place trouble in plain view<\/strong><\/p>\n

Blind shots can be compelling. But a guiding philosophy at Nicklaus Design is to keep most targets and trouble in plain view. \u201cWe might blind you on, say, a par-4, but that will be part of the strategy,\u201d Goetz says. \u201cFor example, if you play conservatively or hit a poor shot, now you can\u2019t see everything in front of you. But typically, Jack works very hard to make everything visible.\u201d If water awaits, he doesn\u2019t simply want you to know it\u2019s there. He wants you to be able to see its edges. Same with greens. \u201cWe may not show you the entire putting surface,\u201d Goetz says. \u201cBut we\u2019re trying to show you the corners of it at least, so you have an idea of your limits.\u201d<\/p>\n

7. Accommodate all abilities<\/strong><\/p>\n

One of the toughest aspects of golf design is walking the fine line of forgiveness, the better to appeal to a range of skills. \u201cThe question always is, \u2018How do you make it challenging for the good player but enjoyable for a higher handicap?\u201d Goetz says. One way to do that is with offset tees, which create varied angles and differing demands. \u201cIf you have a dogleg, not only does the hole get shorter from the forward tees, but it\u2019s also straighter,\u201d Goetz says. \u201cSo that someone playing up can hit a straight shot, whereas as someone from the back has to take on angles.\u201d Given how far elite players hit it, forced carries aren\u2019t an issue for them. But what about the rest of us? There are no hard-set rules, but Goetz says that average weekend golfers on a 6,300-yard course shouldn\u2019t be asked to fly their balls much more than 130 yards.<\/p>\n

8. Draw to scale<\/strong><\/p>\n

For the purposes of the\u00a0GOLF Magazine + Nicklaus Design Challenge, contestants have been asked to submit their designs on 8.5\u201d x 11\u201d paper. That\u2019s not a lot of space. But it\u2019s still important to try to draw to scale. What is that scale? Goetz says to think of it this way: one inch equals 200 feet.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Source: Golf So, you want to be a golf-course architect. Or, at least, you plan to enter the\u00a0GOLF Magazine + Nicklaus Design Challenge. Allow us to offer some advice from an expert in the field. As a senior designer at\u00a0Nicklaus Design, Chad Goetz will tell you that everything he and his colleagues do is dictated […]<\/p>\n","protected":false},"author":2,"featured_media":17942,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_angie_page":false,"page_builder":"","footnotes":""},"categories":[94,381],"tags":[93,95,404,245,101],"class_list":["post-10134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-golf","category-sport","tag-golf","tag-jack-nicklaus","tag-magazine","tag-nicklaus","tag-tom-watson"],"yoast_head":"\nTHE DO\u2019S & DONT\u2019S OF DESIGNING A GOLF HOLE BY JACK NICKLAUS - Cap Cana<\/title>\n<meta name=\"description\" content=\"Jack Nicklaus shares the dos and donts of designing a golf hole, offering expert advice for the GOLF Magazine + Nicklaus Design Challenge.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/capcana.com\/es\/the-dos-donts-of-designing-a-golf-hole-by-jack-nicklaus\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE DO\u2019S & DONT\u2019S OF DESIGNING A GOLF HOLE BY JACK NICKLAUS - 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